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Recent Submissions

  • Experiencing Debussy's sound : a phenomenological approach 
    Woo, Sora (San Francisco State University, 2019)
    This paper applies phenomenological concepts regarding music to concrete musical examples, namely the first movement of Debussy’s La mer. It explores the compositional techniques inherent in his composition that govern ...
  • Sight-singing in professional children’s choirs : three conductor's perspectives on teaching audiation 
    Brewer, Nathaniel Douglas (San Francisco State University, 2019)
    The purpose of this study was to examine the perspectives of three conductors regarding sight-singing in their professional children’s choirs as it relates to audiation. Research questions addressed were: (a) “How do ...
  • Stonemover 
    Carp, David (San Francisco State University, 1974)
  • Beneath the underdog 
    Creason, Stephen (San Francisco State University, 1988)
    Beneath the Underdog is composed specifically for Rising Winds, a ten piece ensemble, which consists of four woodwind players, four brass players, a percussionist and a bassist. The woodwind players in Rising Winds all ...
  • Symphonic overture for band 
    Rokeach, Martin David (San Francisco State University, 1979)
    The form of the Symphonic Overture for Band is ABACD-coda. It is scored for full symphonic band, including string bass, piano, and celesta. It is approximately twenty minutes in duration. The celesta, in the fourth measure ...